Taken at Kilby Block Party in Salt Lake City

About Me

I am a freelance music and culture journalist based in Philadelphia by way of Chicago. My work has appeared in Paste Magazine, Far Out, The Alternative, and The Needle Drop, where I serve as a staff writer and columnist (under pen name Leah Bess). As a recent graduate of Drexel University's hallmark Music Industry program, I am currently searching for full-time work in music media, label ops, publicity, and/or radio. 

My Latest Work

INTERVIEW: feeble little horse are wired in

A cultural backlash-induced luddite movement was bound to happen. On Instagram, the product I get advertised to me the most is a hunk of plastic that locks you out of whatever apps you tell it to. "Analog bags" stuffed with screen-free activities has become a rising trend among young adults. In a time where the pope writes an Encyclical rebuking the technocrats of Silicon Valley and their sweeping AI aspirations, it feels obvious young creative types are desperate to turn back the clock. Pittsb...

Sleeper Hit Support Group: "Go Away" by Weezer ft. Best Coast

Welcome to Sleeper Hit Support Group, a column diving into the song currently occupying the bottom spot of the Billboard Hot 100.In a pop landscape that asks more questions that it answers, I'm setting out to answer three questions about each of these songs: how it got here, if the song is good, and where it's going. In this 100th spot we'll find unlikely ascents, falls from grace, and resurgences of hits from bygone eras.Today, we're looking at the kismet back-catalog spike of Weezer's "Go Away...

Inside Kilby Block Party 2026: our takeaways and highlights

The inaugural Kilby Block Party in 2019 was exactly what is said on the tin: a block party taking place outside of the storied music venue Kilby Court. The name has stuck for tradition’s sake, but the scope of the festival has grown exponentially. In just 7 years, 500 attendees has turned into a figure closer to the tune of 90,000. In the continued absence of Pitchfork festival in Chicago and All Things Go’s mainstream pivot, indie fans nationwide have found themselves flocking to Salt Lake City...

INTERVIEW: Broken Social Scene provide some conventional human wisdom

When I logged onto my Zoom call with Broken Social Scene songwriter Kevin Drew, I was met with an unexpected second face. At 10:30am on a Thursday morning, Drew was huddled up in multi-instrumentalist (and fellow Scenester) Charles Spearin's garage-turned-studio. The pair gave me a tour of the space before I got a chance to introduce myself, showing me individual pieces of gear that were near and dear to their hearts. They showed me the 8-track tape machine that recorded the group's 2001 debut F...

Sleeper Hit Support Group: "Sweet Boy" by Malcolm Todd

Welcome to Sleeper Hit Support Group, a column diving into the song currently occupying the bottom spot of the Billboard Hot 100.In a pop landscape that asks more questions that it answers, I'm setting out to answer three questions about each of these songs: how it got here, if the song is good, and where it's going. In this 100th spot we'll find unlikely ascents, falls from grace, and resurgences of hits from bygone eras.Today, we're taking a look at "Sweet Boy" by pop newcomer Malcolm Todd.Unl...

"I don't feel like it really benefited anybody": Snail Mail on rejecting the "sad girl" genre, vocal surgery, and the Goo

Snail Mail frontwoman Lindsey Jordan is no stranger to confession. She wrote all of the songs on her 2018 debut Lush before she could vote. Jordan's pointed yet complicated tales of queer heartbreak had critics designating her as a wunderkind wise beyond her years. Now eight years, two albums, and a vocal polyps surgery later, Jordan has new priorities. She moved from a small one bedroom apartment in New York City to a big house in North Carolina, got a dog, and is in a happy long-term relations...

Sleeper Hit Support Group: "Fame Is A Gun" by Addison Rae

Welcome to Sleeper Hit Support Group, a column diving into the song currently occupying the bottom spot of the Billboard Hot 100.In a pop landscape that asks more questions that it answers, I'm setting out to answer three questions about each of these songs: how it got here, if the song is good, and where it's going. In this 100th spot we'll find unlikely ascents, falls from grace, and resurgences of hits from bygone eras.Today, we're queening out and taking a look at "Fame Is A Gun" by Addison...

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